Personal Projects
Saint Vincent & The Grenadines, 2025
‘Vincy’ is an ongoing series shot in Saint Vincent and the Grenadines — a place that holds both personal memory and deep spiritual meaning for Brandon.
The images were taken across the Mainland Saint Vincent and the Grenadine islands, including Bequia and Young Island. Where Brandon captured children playing in the sea — a moment that struck a personal chord. The last time he stood on those same beaches, he was their age.
In documenting them, he found a quiet connection to his own childhood — as if seeing a reflection of his younger self.
This work is part of a broader series captured over one month in 2025, exploring themes of memory, place, and belonging across the islands.
The images were taken across the Mainland Saint Vincent and the Grenadine islands, including Bequia and Young Island. Where Brandon captured children playing in the sea — a moment that struck a personal chord. The last time he stood on those same beaches, he was their age.
In documenting them, he found a quiet connection to his own childhood — as if seeing a reflection of his younger self.
This work is part of a broader series captured over one month in 2025, exploring themes of memory, place, and belonging across the islands.
Nigeria, 2022
A photography series shot over three weeks across Nigeria (Lagos, Festac, and Umuahia) the project evolved into an observational study of everyday life, capturing the essence of community, culture, and movement through spontaneous moments.
Navigating supermarkets, backstreets, markets, playgrounds, and churches, the photographer was met with the beautiful unpredictability of Nigeria’s streets. Often limited to shooting from a moving vehicle or quietly from a seat at a wedding, the constraints shaped a new visual approach. This body of work is a personal document of place, people, and presence — a reflection of daily life through the eyes of someone returning.
Navigating supermarkets, backstreets, markets, playgrounds, and churches, the photographer was met with the beautiful unpredictability of Nigeria’s streets. Often limited to shooting from a moving vehicle or quietly from a seat at a wedding, the constraints shaped a new visual approach. This body of work is a personal document of place, people, and presence — a reflection of daily life through the eyes of someone returning.